What Makes Art Great?

What is it about some works of art that allows them to stand the test of time? What is it exactly that make a work of art truly memorable and truly great? There are many beautiful works of art and many more that are surprising, innovative, and thought provoking, but of all the art produced in the world in any given year, very few pieces are exceptional. “Great” art manages to satisfy its viewers at a deeper level than the rest.

For the past three years, I’ve had the privilege of critiquing fine art in the Southwest from as far north as Taos to the southern town of Truth or Consequences. Today, I’ve chosen local artists that exemplifies the meaning of greatness in the categories of Narrative, Beauty, Realism, Form, Movement, Symbolism and Expression. The featured artists’ works have been looked at in an analytical way in order to assess what it is that makes each one so successful in its own field.

Narrative

Chris Meyer - Most of his work originates as photographs of rocks and similar natural forms. Meyer studies these images for patterns, then build collages out of various papers, symbols, and texts to emphasize the shapes, texture and mood of an individual photo. Adding assemblage elements – including sticks, stones, beads, bones, feathers, fibers, and metals – to add dimension: both to the physical work, as well as to its layers of meaning. When done, he leaves it to the viewer to play the roll of archaeologist, studying the resulting artifact for clues of when and where it came from, imagining what purpose it served for the unknown culture that created it.

Raymond Wiger: 26 years of Wire Mesh Sculpture

Amid the monsoon rain, last Friday’s ARTScrawl at Sumner & Dene was the opening reception for the Taos sculptor Raymond Wiger. With a noted seven year absence from exhibiting his work due to illness, Wiger was back in perfect form and with him he brought 20 of his small and large wire mesh creations. His sculptures are both exquisite and mesmerizing. Wiger describes his sculpting process as follows, “Sculpting in wire mesh equally involves the use of the right and left halves of the brain; the creative and the analytical. Beginning with a square, rectangular, triangular or other polygonal piece of mesh, the transformation to figure occurs without the use of any tools but the hands – in essence, skin against skin. As important, the integrity of the initial geometric shape is never compromised by the removal of "excess" material. To do so would be to reduce a rather complex process to merely one of just cutting out paper dolls. The final piece must include all the original material intact.”

Wiger first started working in wire mesh as a sculpting material in the late 1980s. Beginning with screen left over from repairing a window in a cabin in a national park, after six months discovered a more workable material with the same properties while sitting in front of a fireplace screen in Seattle, Washington. He uses no models or photographs from which to work, but relies for reference on a background of anatomical studies at the anthropology and art departments of the Smithsonian. Since the 1980s, Wiger has exhibited his work in galleries throughout the Americas and Europe, and his sculptures can be found in private collections around the world.

Wiger was born in Washington, D.C. in 1960 and received his education in parochial and public schools and at the University of Maryland. From 1978 until 1992, he spent part of each year working at the Smithsonian Institution or the Library of Congress, and from 1982 through 1997 a part of each year working as a park ranger in National Parks across the United States. Each year he travels around the world living among other cultures while studying their history and art. Wiger's training in art is derived from his years of work at the Smithsonian Institution, and since the early 1980s it has been in the quiet moments and solitude of the National Parks where he has found the most conducive environment for his artistic and writing pursuits. He currently lives in Taos, New Mexico.

Raymond Wiger: 26 Years of Wire Mesh Sculptures will hang through July 29 at Sumner & Dene Creations in Art, 517 Central Avenue, NW, Albuquerque, NM 87102, 505.842.1400, www.sumnerdene.com