Showing posts with label Janet Bothne. Show all posts
Showing posts with label Janet Bothne. Show all posts

Thursday, September 4, 2014

What Makes Art Great?

What is it about some works of art that allows them to stand the test of time? What is it exactly that make a work of art truly memorable and truly great? There are many beautiful works of art and many more that are surprising, innovative, and thought provoking, but of all the art produced in the world in any given year, very few pieces are exceptional. “Great” art manages to satisfy its viewers at a deeper level than the rest.

For the past three years, I’ve had the privilege of critiquing fine art in the Southwest from as far north as Taos to the southern town of Truth or Consequences. Today, I’ve chosen local artists that exemplifies the meaning of greatness in the categories of Narrative, Beauty, Realism, Form, Movement, Symbolism and Expression. The featured artists’ works have been looked at in an analytical way in order to assess what it is that makes each one so successful in its own field.

Narrative

Chris Meyer - Most of his work originates as photographs of rocks and similar natural forms. Meyer studies these images for patterns, then build collages out of various papers, symbols, and texts to emphasize the shapes, texture and mood of an individual photo. Adding assemblage elements – including sticks, stones, beads, bones, feathers, fibers, and metals – to add dimension: both to the physical work, as well as to its layers of meaning. When done, he leaves it to the viewer to play the roll of archaeologist, studying the resulting artifact for clues of when and where it came from, imagining what purpose it served for the unknown culture that created it.

Friday, November 8, 2013

Finding Finished ~ paintings by Janet Bothne

First Friday’s ARTScrawl led me to Palette Contemporary Art & Craft in Albuquerque’s Northeast Heights. Janet Bothne, the featured artist for November, opened last Friday with her exhibition Finding Finished. Bothne says, “One of the hardest parts of the painting process is knowing when a painting is truly finished.” She has sometimes hung and shown a work only to get it back into the studio and give it one final stroke or "punctuation" before being fully satisfied. Over time, Bothne has learned that there is a critical point in a painting’s “life cycle” where one must stop before "killing" some of its most compelling elements. She looks very carefully at each painting to examine what’s working and what isn’t, before painting its final 10%. Sometimes, she'll ponder a piece for months before her eye provides answers as to what is required for its completion.